Wearing my favorite denim cut-off shorts from Kohl’s
The answer is … No! I have a favorite pair of denim cutoff shorts I purchased at Kohl’s (for a great price, by the way!) – I continue to pull them out every summer. They are still my go-to and I don’t see the need to change that now that I am 57. And Vogue agrees!
September marks the 125th Anniversary of Vogue Magazine and tucked in its many pages is a question that has reared its head for me and other women: what’s the age cutoff for denim cutoffs?Vogue contributor Alexandra Macon asks her colleagues their opinions about when to stop wearing denim cutoff shorts – 30? – younger? older? Though she finds differing opinions in the answers, Macon settles on the wise words of Vogue’s denim editor, Kelly Connor: “The bottom line is the look can be achieved at any age as long as it’s done right. This means keeping problem areas covered by taking shape into account with distressing kept to a minimum. And, ultimately, as with most looks that are somewhat fashion-forward, it’s all about how you carry yourself. If you can wear a shorter cutoff with sophistication and confidence, then all the power to you—no matter what your age!”
Kendall Jenner in Vogue and Google’s ‘Supermodel Closets’ | Source: Caleb Adams for Vogue
I have enjoyed watching Vogue’s 73 Questions videos – for an intimate, if not brief look inside the lives of celebrities (I especially loved the inaugural, with Sarah Jessica Parker). Now, building on its popularity, Vogue and Google have partnered to celebrate Vogue’s 125th anniversary September issue: launching a 360-degree virtual reality five-part series, “Supermodel Closets” and offering viewers exactly what its title promises – an inside view of the closets of industry stars – beginning with Kendall Jenner. To that end, the viewer of Supermodel Closets is “alone” in the closet, as Jenner tells the stories behind her clothes, handbags and accessories, her most beloved and prized possessions.
Vogue’s long-standing objective is to show what’s new in fashion. The decision to partner with Google and its complex, wide-reaching fashion strategy, represents the next step for Vogue in delivering ever- alluring content. Says Julina Tatlock, co-founder of digital entertainment company 30 Ninjas, which produced the series, “There is an opportunity when you are making 360 and virtual reality to let the story shape itself a little more … The fact that Vogue allowed us to shoot the models for almost two hours, and then we cut it to four minutes, means that Kendall could completely relax.”
While Supermodel Closets can be viewed on a computer or phone via YouTube, the virtual reality elements must be experienced using special equipment. I am not set up for that, yet, but perhaps I can figure it out … eventually.
In just a few days Pippa Middleton’s wedding will take place – Saturday, May 20 – and I hear that she may be asking her guests to bring a second outfit for the reception. Apparently, she has several rules for her wedding, but this one feels over-the-top. A bride will sometimes change into a second wedding dress for the reception but to ask guests to do the same is a pricey and anxiety-producing request. Weddings are already expensive. Vogue has labeled this move ‘unusual’ and ‘slightly high maintenance.’
This could be gossip, it could be real – but could this snowball into a real fashion trend for weddings in the future??
Ms. Colon-Lugo has quite a story: she studied costume design at the School of Fashion Design in Boston and later at New York University. Her hats have adorned the covers of Vogue, Harper’s Bazaar, and W Magazine, and she is president of the Milliners Guild in New York. Says Colon-Lugo, “The idea of balance is very important in a hat. I don’t do yoga, I do hats. Hats reveal our inner characters, and we have many of them.”
Which of her hats will be watching the Kentucky Derby tomorrow?
A musical just opened on Broadway – War Paint – highlighting the fierce rivalry of two cosmetic giants, entrepreneurs, and icons: Helena Rubenstein and Elizabeth Arden. Vogue’s Hamish Bowles interviewed War Paint’s much sought-after costume designer, Catherine Zuber, and I am reminded of the power of costume design. Zuber is much admired in the industry and has earned six Tony Awards for her costume design productions, which also include South Pacific, The King and I, Women on the Verge of a Nervous Breakdown, Awake and Sing!, and The Light in the Piazza. For War Paint, Zuber is once again telling a story and addressing the character of these larger-than-life women through their costumes. Played by acting icons themselves, Patty LuPone as Rubenstein, and Christine Ebersole as Arden, these hugely successful women were among the wealthiest of their time and at that time, the only two women in America to have their names above their company – by doing something not done before in the beauty industry – bringing makeup into the mainstream of society. The timeline for War Paint begins in the 1930s and follows these women into the 1960s, which provided excitement to move through the different time periods. Rubenstein was, according to Zuber, more flamboyant, and dressed in “Poiret, Schiaparelli, and Balenciaga.” However, finding costumes for Arden’s story was “just as powerful,” says Zuber – and gave Zuber high contrast with which to work. The production focuses on the working world of these women. Says Zuber: “They were such hard-working women, and so much of their lives were focused on their careers and their businesses that we decided to celebrate that.”
Fashionista researched 147 covers from 10 leading U.S. fashion publications and discovered the following: while some titles remained stagnant, the majority saw distinct improvement. Among the leading publications, which included Allure, Cosmopolitan, Elle, Glamour, Harper’s Bazaar, InStyle, Nylon, Teen Vogue, Vogue and W – Teen Vogue featured the most diversity this year by including women of color on seven of its 11 issues, 63.6 percent. — with cover stars like Amandla Stenberg, Willow Smith and Simone Biles.
This is so important because young women look for themselves on the covers of magazines. They want to feel that the magazine speaks to them and the cover is the fist thing they see. There is a long way to go for inclusivity but this is a statistic that is moving in the right direction. I’m buying it!
“Featuring gorgeous, never-before-seen photos from Johnson’s childhood and modeling days, The Face That Changed It All gives a no-holds-barred look at the lives of the rich, fabulous, and famous. It is also a story of failure and success in the upper echelons of the fashion world, and how Beverly Johnson emerged from her struggles smarter, happier, and stronger than ever.” Beverly Johnson website
Iconinc supermodel Beverly Johnson has a new memoir: The Face That Changed It All. Ms. Johnson, 62, was one of the original 1970s supermodels, becoming the first black model to appear on the cover of Vogue in 1974. She then made fashion history with a successful 3-decade modeling career. The Face That Changed It All appears to be an honest and thoughtful look at Johnson’s life, and an opportunity for us all to feel inspired and energized to be our best. I’m buying it!