Today I am a Costume Designer!

Some of the chosen 1960’s-style accessories – Photo: Susan Olson

Some of the chosen 1960’s-style accessories – Photo: Susan Olson

When I started the assignment I had no idea how satisfying it would be. I had volunteered to help my friend and costume designer Katherine during the preparation of the local high school production of How to Succeed in Business Without Really Trying. I told her to put me to work in any capacity, that I simply wanted to be a part of the costume crew. When Katherine told me that she would like me to accessorize the female performers’ costumes I was thrilled. This musical is set in an office in the heart of the 1960’s and I would be accessorizing the students portraying young women who worked in the secretarial pool. Fashion in the 60’s was full of color and silhouette. Accessories were simple but bold. Outfits were color-coordinated and highly accessorized and a bit matchy-matchy; big button earrings, brooches, bright necklaces, and headbands rounded out the accessories.  Continue reading

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Technology Advances Fashion

The Yves Saint Laurent "Sardine" dress from the 1983 couture show that took 1,500 hours to complete

The Yves Saint Laurent “Sardine” dress from the 1983 couture show that took 1,500 hours to complete

I use so many processes in my work – some that involve the hand and some that involve the machine. For me, mixing the hand and the machine give the best results. I don’t think the hand or the machine have any use or value on their own. What matters is the form in relationship with the idea.” ~ Miuccia Prada 

In a way, the hand is being lost today. It’s important to me that a piece of clothing always feels like it has been touched by the hand at some point, even if there’s a lot of machine work involved.” ~ Sarah Burton

With just a week before it closed, I explored the exhibit at the Met: “Manus x Machina: Fashion in an Age of Technology.” I was extra lucky to experience it with costume designer and new friend, Katherine Winter, who has shared her story on TFIO. To see it through Katherine’s eyes, with her love of fabric and texture and construction, made this experience even more meaningful for me. Continue reading

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